CasaShop
  1. Agrafée double rotule
    Design Serge Mouille (1958)
    Design Serge Mouille Design year 1958
    Known primarily for his work as a designer of lighting fixtures, Serge Mouille (1922-1988) received a master silversmith diploma from the School of Applied Arts in Paris. He studied with silversmith and sculptor Gilbert LaCroix and, after graduation in 1941, went to work in his studio. In 1945 Mouille himself became a teacher at the School of Applied Arts and opened his own metalworking studio. At that point his design commissions were mostly for hand rails, chandeliers and wall sconces. In 1953 Jacques Adnet hired him to design lighting fixtures, an art to which he devoted the rest of his life. Throughout the 1950s Mouille designed large, angular, insect-like wall mounted and standing lamps with several arms and smaller, more curved, wall-sconces. Some of his best known designs from the period are his “Oeil” lamp (1953), “Flammes” (1954) and “Saturn” (1958). He worked to achieve a kinetic, sculptural aesthetic that evoked a sense of movement in space. He also claimed his lighting fixtures were “a reaction to the Italian models, which were beginning to invade the market in 1950,” and which he thought to be “too complicated.” His designs from this period were shown mainly at the Steph Simon Gallery in Paris.
  2. Agrafée simple
    Design Serge Mouille (1957)
    Design Serge Mouille Designyear 1957
    Known primarily for his work as a designer of lighting fixtures, Serge Mouille (1922-1988) received a master silversmith diploma from the School of Applied Arts in Paris. He studied with silversmith and sculptor Gilbert LaCroix and, after graduation in 1941, went to work in his studio. In 1945 Mouille himself became a teacher at the School of Applied Arts and opened his own metalworking studio. At that point his design commissions were mostly for hand rails, chandeliers and wall sconces. In 1953 Jacques Adnet hired him to design lighting fixtures, an art to which he devoted the rest of his life. Throughout the 1950s Mouille designed large, angular, insect-like wall mounted and standing lamps with several arms and smaller, more curved, wall-sconces. Some of his best known designs from the period are his “Oeil” lamp (1953), “Flammes” (1954) and “Saturn” (1958). He worked to achieve a kinetic, sculptural aesthetic that evoked a sense of movement in space. He also claimed his lighting fixtures were “a reaction to the Italian models, which were beginning to invade the market in 1950,” and which he thought to be “too complicated.” His designs from this period were shown mainly at the Steph Simon Gallery in Paris.
  3. Asa
    Design Miguel Mila (1961)
    Design Miguel Mila Designyear 1961
    In 1961, this lamp was part of Miguel Milá’s first collection for TRAMO (Trabajos Molestos – ‘Annoying Jobs’), the company he set up to produce his own work when he was starting out. Santa & Cole has now republished ASA, both the original version with a black structure and button and the later all-white version. Its light, handle-shaped structure makes it easy to move anywhere that requires great lighting.
  4. Bestlite Bl1
    Design Robert Dudley Best
    Design Robert Dudley Best
    Robert Dudley Best drew the first drafts of the lamp that would later become synonymous with his name when he studied to become an industrial designer in Paris and Düsseldorf. As the lamp was the first example of Bauhaus in the UK, strong arguments were needed before the lamp could be put into production. The lamp was produced by the manufacturing firm Best & Lloyd, founded by Best’s family in 1840. After mention in the prominent architectural magazine Architects’ Journal, the architectural community opened its eyes to the lamp’s potential. Bestlite gained everlasting fame when Winston Churchill placed one on his desk in Whitehall.
  5. Bestlite Bl2
    Design Robert Dudley Best
    Design Robert Dudley Best
    Robert Dudley Best drew the first drafts of the lamp that would later become synonymous with his name when he studied to become an industrial designer in Paris and Düsseldorf. As the lamp was the first example of Bauhaus in the UK, strong arguments were needed before the lamp could be put into production. The lamp was produced by the manufacturing firm Best & Lloyd, founded by Best’s family in 1840. After mention in the prominent architectural magazine Architects’ Journal, the architectural community opened its eyes to the lamp’s potential. Bestlite gained everlasting fame when Winston Churchill placed one on his desk in Whitehall.
  6. Cesta
    Design Miguel Milá (1962)
    Design Miguel Milá Designyear 1962
    A magic hand-made lantern, made of a cherry wooden structure and an inner light globe. Its oval volume and handle make it an object-lamp, equally ideal for both tabletops and floors.
  7. Cesta Metálica
    Design Miguel Mila (1965 - 2015)
    Design Miguel Mila Designyear 1965 - 2015
    A happy reinvention of the magic lantern, the Cesta family is growing with the latest re-edition based on the original 1962 design in metal and in two sizes: Cesta Metálica and Cestita Metálica. A solid and iconic stainless steel structure holding a globe of white opaline light with or without leather handle.
  8. Cestita
    Design Miguel Mila (1962)
    Design Miguel Mila Designyear 1962
    This is the little sister of Miguel Milá’s very famous Cesta lamp, both designed more than fifty years ago. An iconic, almost traditional piece, the heiress of a moral design that adapts to us very naturally.
  9. Cestita Metálica
    Design Miguel Milá (1962 - 2015)
    Design Miguel Milá Designyear 1962 - 2015
    A happy reinvention of the magic lantern, the Cesta family is growing with the latest re-edition based on the original 1962 design in metal and in two sizes: Cesta Metálica and Cestita Metálica. A solid and iconic stainless steel structure holding a globe of white opaline light.
  10. Chairman table lamp
    Design Niclas Hoflin
    Design Niclas Hoflin
    RUBN is a Swedish company designing and producing lights for everyday living and grand interiors, and which quietly has received considerable international success, due too its unique design and quality. RUBN lights are all handmade and manufactured in the factory placed in VITTSJÖ, Sweden. Designed by Niclas Hoflin has his origin and inspiration in both the Danish and Swedish design tradition. All lights are new designs, adapting to today's technology, style and needs, but solidly rooted in the past delight of materials and functionality. Quality is about the details All lamps are manufactured by hand; with great care for every detail, functionality and aesthetics. RUBNs philosophy is to give the customer the joy of experiencing the harmony between material, design and functionality.
  11. Cobra table lamp
    Design Greta Grossman (1950)
    Design Greta Grossman Design year 1950
    The most iconic products Greta Grossman designed in the 40's and 50's were the Gräshoppa floor lamp and the Cobra floor and table lamps. In 1950, the Cobra lamp won the Good Design Award and was subsequently exhibited at the Good Design Show at the Museum of Modern Art. Grossman was highly influenced by European Modernism, which had been imported to the US by influencial architects, such as Walter Gropius (founder of the Bauhaus) and Ludwig Mies van der Rohe. Grossman, in turn, played a significant role in defining the aesthetic of mid-century Californian Modernism. The classic Cobra lamp takes its name from the shape of the oval shade, which is reminiscent of a Cobra's neck. The tubular flexible arm can be bent in all directions and the shade can be rotated through 360º. The base is covered in powder-coated aluminium and weighted with a cast iron ballast. Today, Grossman's product designs are highly collectible and are sold at auctions all around the world. Grossman's products are unique, modern classic designs.
  12. Constanza table
    Design Paolo Rizzatto (1986)
    Design Paolo Rizzatto Design year 1986
    In Costanza ”the switch has moved!” The lamp uses a sensorial dimmer rod-switch close to the light, which only has to be lightly touched to adjust its on-off intensity through four levels of brightness. The light and washable shade, resting on two points of balance and therefore capable of oscillating if bumped, diffuses a warm and pleasant light. Its unmistakable, subtle but structurally solid profile fits naturally into any interior, thanks also to the telescopic rod that can be adjusted to different heights.
  13. Constanzina
    Design Paolo Rizzatto (1992)
    Design Paolo Rizzatto Designyear 1992
    For reading, working, conversing, writing, resting or meditating. The on-off switch is released by the rod attachment. The light and washable shade, resting on the two points of balance and therefore capable of oscillating if bumped, diffuses a warm and pleasant light. Its unmistakable, slim but structurally solid structure fits naturally into any interior. The rotational brush treatment of its natural aluminium square base emphasises the quality and distinction of this material.
  14. Dome lamp
    Design Todd Bracher (2009)
    Design Todd Bracher Design year 2009
    Best table lamp 2009, Wallpaper Magazine, London The dome lamp is an iconic representation of 'what is light'. Light eminates evenly in a 360 degree pattern from its source (such as in the case with the sun) so therefore the most honest approach toward the design of a lamp to me was a spherical solution. The design is essentially a 'globe' form 'hollowed out' to allow the light to distribute. Such a mathematical solution enables the design to be timeless and familiar however completely new in approach as it is more of an engineering solution than a fashion based one". Todd Bracher, designer The spun aluminum dome table lamp is produced in a Danish factory together with skilled craftsmen.
  15. FAD
    Design Miguel Mila (1973)
    Design Miguel Mila Design year 1973
    Designed to light the original offices of Barcelona's Fostering Arts and Design Association (FAD), a reference centre in Spain. It has a solid wooden structure with a cross-shaped section and a white linen shade, combining solidity and space, gravity and elegance.
  16. Fortebraccio
    Design Paolo Rizzatto & Alberto Meda (1998)
    Design Paolo Rizzatto & Alberto Meda Design year 1998
    Fortebraccio guarantees an extraordinary fluidity of movement and total light positioning freedom. Thanks to its innovative central joint, the lamp’s two arms rotate independently, horizontally and vertically, allowing it to take on extreme and functional positions.
  17. Hector Dome table
    Design Original BTC
    Design Original BTC
    A British design classic in translucent bone china. With its moveable shade and smart cotton braided flex, the Hector table light and its accompanying floor light perfectly marry style and function. The range includes a selection of simple bone china pendants and practical, space-saving wall lights for a subtle source of ambient light. For the ultimate in versatility, the clip-on Hector provides an easy-to-position source of accent or task lighting wherever required.
  18. IC T1 High
    Design Michael Anastassides
    Design Michael Anastassides
  19. IC T1 Low
    Design Michael Anastassides
    Design Michael Anastassides
  20. IC T2
    Design Michael Anastassides
    Design Michael Anastassides
  21. Kavalier
    Design Niclas Hoflin
    Design Niclas Hoflin
    RUBN is a Swedish company designing and producing lights for everyday living and grand interiors, and which quietly has received considerable international success, due too its unique design and quality. RUBN lights are all handmade and manufactured in the factory placed in VITTSJÖ, Sweden. Designed by Niclas Hoflin has his origin and inspiration in both the Danish and Swedish design tradition. All lights are new designs, adapting to today's technology, style and needs, but solidly rooted in the past delight of materials and functionality. Quality is about the details All lamps are manufactured by hand; with great care for every detail, functionality and aesthetics. RUBNs philosophy is to give the customer the joy of experiencing the harmony between material, design and functionality.
  22. KUTA TABLE
    Design Vico Magistretti (1979)
    Design Vico Magistretti Designyear 1979
    Table lamp with a circular reflector in aluminium, which shields the lighting distribution, giving the effect of a solar eclipse. The circular screen is painted in white or black, the stem and the metal small parts and hemispherical support are chromed. Table version with base in white marble.
  23. Lampe Antony
    Design Serge Mouille (1955)
    Design Serge Mouille Designyear 1955
    Known primarily for his work as a designer of lighting fixtures, Serge Mouille (1922-1988) received a master silversmith diploma from the School of Applied Arts in Paris. He studied with silversmith and sculptor Gilbert LaCroix and, after graduation in 1941, went to work in his studio. In 1945 Mouille himself became a teacher at the School of Applied Arts and opened his own metalworking studio. At that point his design commissions were mostly for hand rails, chandeliers and wall sconces. In 1953 Jacques Adnet hired him to design lighting fixtures, an art to which he devoted the rest of his life. Throughout the 1950s Mouille designed large, angular, insect-like wall mounted and standing lamps with several arms and smaller, more curved, wall-sconces. Some of his best known designs from the period are his “Oeil” lamp (1953), “Flammes” (1954) and “Saturn” (1958). He worked to achieve a kinetic, sculptural aesthetic that evoked a sense of movement in space. He also claimed his lighting fixtures were “a reaction to the Italian models, which were beginning to invade the market in 1950,” and which he thought to be “too complicated.” His designs from this period were shown mainly at the Steph Simon Gallery in Paris.
  24. Lampe Cocotte
    Design Serge Mouille (1957)
    Design Serge Mouille Design year 1957
    Known primarily for his work as a designer of lighting fixtures, Serge Mouille (1922-1988) received a master silversmith diploma from the School of Applied Arts in Paris. He studied with silversmith and sculptor Gilbert LaCroix and, after graduation in 1941, went to work in his studio. In 1945 Mouille himself became a teacher at the School of Applied Arts and opened his own metalworking studio. At that point his design commissions were mostly for hand rails, chandeliers and wall sconces. In 1953 Jacques Adnet hired him to design lighting fixtures, an art to which he devoted the rest of his life. Throughout the 1950s Mouille designed large, angular, insect-like wall mounted and standing lamps with several arms and smaller, more curved, wall-sconces. Some of his best known designs from the period are his “Oeil” lamp (1953), “Flammes” (1954) and “Saturn” (1958). He worked to achieve a kinetic, sculptural aesthetic that evoked a sense of movement in space. He also claimed his lighting fixtures were “a reaction to the Italian models, which were beginning to invade the market in 1950,” and which he thought to be “too complicated.” His designs from this period were shown mainly at the Steph Simon Gallery in Paris.
  25. Lampe Gras N 205
    Design Bernard-Albin Gras (1921)
    Design Bernard-Albin Gras Designyear 1921
    La Lampe Gras has an exceptional place in the history of lamps. The lamps, designed and manufactured in 1921, pioneered a new way of lighting. Their creator, the engineer Bernard-Albin Gras, realised an aesthetic design that was in perfect harmony between function and design. However, it was Le Corbusier that made the lamp a modern classic. Using his own terminology, Le Corbusier deemed the lamps a type-object; an object reduced to its pure function. He used La Lampe Gras in his interiors and his own office. Many avant-garde personalities have used the lamps and helped bring them to their legendary status, including Eileen Gray, Michel Roux-Spitz, Sonia Delaunay, Georges Braque, and many others.
  26. Lampe Gras N 207
    Design Bernard-Albin Gras (1921)
    Design Bernard-Albin Gras Design year 1921
    La Lampe Gras has an exceptional place in the history of lamps. The lamps, designed and manufactured in 1921, pioneered a new way of lighting. Their creator, the engineer Bernard-Albin Gras, realised an aesthetic design that was in perfect harmony between function and design. However, it was Le Corbusier that made the lamp a modern classic. Using his own terminology, Le Corbusier deemed the lamps a type-object; an object reduced to its pure function. He used La Lampe Gras in his interiors and his own office. Many avant-garde personalities have used the lamps and helped bring them to their legendary status, including Eileen Gray, Michel Roux-Spitz, Sonia Delaunay, Georges Braque, and many others.
  27. Lampe tripode
    Design Serge Mouille (1954)
    Design Serge Mouille Design year 1954
    Known primarily for his work as a designer of lighting fixtures, Serge Mouille (1922-1988) received a master silversmith diploma from the School of Applied Arts in Paris. He studied with silversmith and sculptor Gilbert LaCroix and, after graduation in 1941, went to work in his studio. In 1945 Mouille himself became a teacher at the School of Applied Arts and opened his own metalworking studio. At that point his design commissions were mostly for hand rails, chandeliers and wall sconces. In 1953 Jacques Adnet hired him to design lighting fixtures, an art to which he devoted the rest of his life. Throughout the 1950s Mouille designed large, angular, insect-like wall mounted and standing lamps with several arms and smaller, more curved, wall-sconces. Some of his best known designs from the period are his “Oeil” lamp (1953), “Flammes” (1954) and “Saturn” (1958). He worked to achieve a kinetic, sculptural aesthetic that evoked a sense of movement in space. He also claimed his lighting fixtures were “a reaction to the Italian models, which were beginning to invade the market in 1950,” and which he thought to be “too complicated.” His designs from this period were shown mainly at the Steph Simon Gallery in Paris.
  28. Leaf
    Design Broberg & Ridderstråle
    Design Broberg & Ridderstråle
    Leaf successfully combines a light and elegant design with an energy-efficient LED technology. Though the design is minimalistic and straightforward, a soft asymmetric geometry gives the lamp an organic and friendly appearance. - Depending on the viewing angle and how the shade is turned, the lamp will subtly transform its shape to create a graphic and leaf-like silhouette in the room.
  29. Lektor Desk Lamp
    Design Niclas Hoflin
    Design Niclas Hoflin
    Lektor with the latest LED COM light source RUBN is a Swedish company designing and producing lights for everyday living and grand interiors, and which quietly has received considerable international success, due too its unique design and quality. RUBN lights are all handmade and manufactured in the factory placed in VITTSJÖ, Sweden. Designed by Niclas Hoflin has his origin and inspiration in both the Danish and Swedish design tradition. All lights are new designs, adapting to today's technology, style and needs, but solidly rooted in the past delight of materials and functionality. Quality is about the details All lamps are manufactured by hand; with great care for every detail, functionality and aesthetics. RUBNs philosophy is to give the customer the joy of experiencing the harmony between material, design and functionality.
  30. LEO ON/OFF
    Design Jehs + Laub
    Design Jehs + Laub
    Table lamp with mediumflood beam, ideal as a task or as a reading light. On/off switch on the arm, suitable for all sources with E27 socket and particularly for LED and compact fluorescent sources. Standard version with table clamp. Available also with a table base and with fixing accessories. Joints in diecasted polished aluminium. Body and head in die-casted and extruded white or black aluminium.
  31. LIBRA LUX
    Design Roberto Menghi
    Design Roberto Menghi
    Table lamp orientable through a sophisticated balance system. The counterweight system allows the lamp to be balanced on the surface with different angles without using mechanical junctions. Bulb is shielded by the diffuser. Structure in sandblasted nickel plated brass with chromed details.
  32. Lucellino
    Design Ingo Mauer
    Design Ingo Mauer
    The name is a play on words from the Italian luce light and uccelino little. Touch Tronic transformer-sensor-dimmer and start switch optional.
  33. Maija 15 Table Lamp
    Design Ilmari Tapiovaara (1955)
    Design Ilmari Tapiovaara Designyear 1955
    A lamp that knows how to be functional and intimate. Santa & Cole has re-edited this Finnish classic from 1955, bringing back two versions that add LED technology to the light housed inside. In the language of Finnish functionalism, the Maija series conveyed the feeling of Baltic light from the inside outwards, with a graceful, durable structure reminiscent of the childish honeycomb of naughty honey bee Maya, the heroine of stories and cartoons that originally inspired its name. Maija was a very popular lamp from the start. It was the only one made by this first major Finnish industrial non-architect designer after Alvar Aalto, and who is now recognised as a maestro of generations. An opaque body with a brass structure fragmented into superimposed plates, filters and directs its happy inner light. The whole series of the famous Finnish classic comprises floor, table top and hanging versions.
  34. Mantis BS3
    Design Bernard Schottlander (1951)
    Design Bernard Schottlander Design year 1951
    An admirer of Alexander Calder, in 1951 Schottlander created the Mantis series of lamps. Movement is intrinsic to all of Schottlander’s work: an artist, an engineer and in no small measure a handyman, he devised a clever system of counterweights combined with a series of strong, and flexible metal bars. The shade also is unique of its kind. Like an acrobat suspended in mid-air, it is made from aluminium using spinning and chasing techniques that are a part of the metalworker’s inventory of skills, but to which he has brought his sculptor’s eye to create a helical movement in which the symmetrical and the asymmetrical are in opposition. His lights, with their eternal play between balance and imbalance, reveal some of the secrets of what we mean by ‘solid’ and ‘empty’. And like his idol’s mobiles they appear to defy the laws of gravity. The essential poetry of the object is an invitation to enter a dream world of the most judiciously balanced elegance...
  35. Miller desk lamp
    Design Niclas Hoflin
    Design Niclas Hoflin
    RUBN is a Swedish company designing and producing lights for everyday living and grand interiors, and which quietly has received considerable international success, due too its unique design and quality. RUBN lights are all handmade and manufactured in the factory placed in VITTSJÖ, Sweden. Designed by Niclas Hoflin has his origin and inspiration in both the Danish and Swedish design tradition. All lights are new designs, adapting to today's technology, style and needs, but solidly rooted in the past delight of materials and functionality. Quality is about the details All lamps are manufactured by hand; with great care for every detail, functionality and aesthetics. RUBNs philosophy is to give the customer the joy of experiencing the harmony between material, design and functionality.
  36. Nimbus
    Design Niclas Hoflin
    Design Niclas Hoflin
    RUBN is a Swedish company designing and producing lights for everyday living and grand interiors, and which quietly has received considerable international success, due too its unique design and quality. RUBN lights are all handmade and manufactured in the factory placed in VITTSJÖ, Sweden. Designed by Niclas Hoflin has his origin and inspiration in both the Danish and Swedish design tradition. All lights are new designs, adapting to today's technology, style and needs, but solidly rooted in the past delight of materials and functionality. Quality is about the details All lamps are manufactured by hand; with great care for every detail, functionality and aesthetics. RUBNs philosophy is to give the customer the joy of experiencing the harmony between material, design and functionality.
  37. PIVOTANTE À POSER
    Design Charlotte Perriand (1950)
    Design Charlotte Perriand Designyear 1950
    Table lamp with a cylindrical body, open on two sides, on which two diffusers rotate and allow the opening and closure of the lighting beam, in order to adjust the light in a direct or indirect way. Base in steel painted in matt grey, body in rolled metal sheet painted in white, yellow or blue. Switch on cable.
  38. Planet table lamp
    Design Mette Schelde
    Design Mette Schelde
    Now part of the Please wait to be seated design collection. A lamp, which like its sister Planet lamp wall, has a classic, simple design language. The geometrical shape of the Planet table lamp creates a soft light. The light from the hidden LED bulb is reflected into a concave disc. By a simple manual gesture you rotate the disc, which serves as both a switch and dimmer. The light reflection goes from being turned off, to gradually ascend to the full reflection output by a simple, manual gesture. Interaction plays a key role in all PLEASE WAIT to be SEATED designs. The disc is attached with magnets, and makes it easy to create colour combinations. Colours are: Navy blue and ash grey.
  39. Tizio
    Design Richard Sapper (1972)
    Design Richard Sapper Designyear 1972
  40. TMD Table Lamp
    Design Miguel Milá (1996)
    Design Miguel Milá Designyear 1996
    Based on his famous TMM floor lamp, Miguel Milá designed this tabletop version replacing wood with metal and incorporating a cylindrical shaft.
  41. Tolomeo basculante tavolo
    Design Michele De Lucchi , Giancarlo Fassina (2004)
    Design Michele De Lucchi , Giancarlo Fassina Design year 2004
    Base and cantilevered arms in polished aluminium; diffuser in parchment paper or in silk satin fabric on a plastic frame; joints in polished aluminium. System of spring balancing. The diffuser normally used, remains vertical regardless of the angle of the arm.
  42. Tolomeo micro tavolo
    Design Michele De Lucchi , Giancarlo Fassina
    Design Michele De Lucchi , Giancarlo Fassina
    Cantilevered structure in polished aluminium. Fully rotational diffuser in aluminium. Joints and supports in polished aluminium. System of spring balancing.
  43. Tolomeo mini tavolo
    Design Michele De Lucchi , Giancarlo Fassina
    Design Michele De Lucchi , Giancarlo Fassina
    Cantilevered structure in polished aluminium. Fully rotational diffuser in matt anodised aluminium. Joints and supports in polished aluminium. System of spring balancing.
  44. Tolomeo Tavolo
    Design Michele de Lucchi and Giancarlo Fassina (Artemide)
    Design Michele de Lucchi and Giancarlo Fassina Designyear Artemide
    Cantilevered structure in polished aluminium. Fully rotational diffuser in matt anodised aluminium. Joints and supports in polished aluminium. System of spring balancing.
  45. Tripode m3
    Design Equipo Santa & Cole (2011)
    Design Equipo Santa & Cole Designyear 2011
    The bundle of three metal tubes joined like a set of Chinese chopsticks which holds up, without the need for a base, a generous ribbon shade and which created a small revolution in Santa & Cole's catalogue, celebrated its fifteenth anniversary in 2010. Santa & Cole are now presenting its new younger sister M3, a family of lamps designed to create warm atmospheres, to awaken feelings and to brighten up monochromatic spaces.
  46. Vox table
    Design Niclas Hoflin
    Design Niclas Hoflin
    Vox is strong and ambient, it spreads the light around itself and guides your way in the dark. Get it in brass, copper, black or white together with shade in opat mat glass. Your simple guide. RUBN is a Swedish company designing and producing lights for everyday living and grand interiors, and which quietly has received considerable international success, due too its unique design and quality. RUBN lights are all handmade and manufactured in the factory placed in VITTSJÖ, Sweden. Designed by Niclas Hoflin has his origin and inspiration in both the Danish and Swedish design tradition. All lights are new designs, adapting to today's technology, style and needs, but solidly rooted in the past delight of materials and functionality. Quality is about the details All lamps are manufactured by hand; with great care for every detail, functionality and aesthetics. RUBNs philosophy is to give the customer the joy of experiencing the harmony between material, design and functionality.
  47. Waldorf table lamp
    Design Niklas Hoflin (2015)
    Design Niklas Hoflin Designyear 2015
    RUBN is a Swedish company designing and producing lights for everyday living and grand interiors, and which quietly has received considerable international success, due too its unique design and quality. RUBN lights are all handmade and manufactured in the factory placed in VITTSJÖ, Sweden. Designed by Niclas Hoflin has his origin and inspiration in both the Danish and Swedish design tradition. All lights are new designs, adapting to today's technology, style and needs, but solidly rooted in the past delight of materials and functionality. Quality is about the details All lamps are manufactured by hand; with great care for every detail, functionality and aesthetics. RUBNs philosophy is to give the customer the joy of experiencing the harmony between material, design and functionality.